Tag Archives: we the hallowed

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CACTUS CROWN album cover: DEVIN MILLER

Barachos y Banditas,

Dakota Slim had originally planned to release the new long-form E.P. CACTUS CROWN on Valentine’s day 2017 – alas, this was a premature ambition as we are in the rites of spring and I am not yet finished with the unexpected lil’ opus.

UPDATES AND PROMOS ON THE DS HYMNS INSTAGRAM:

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PROMO 01:  “CACTUS CROWN”

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PROMO 02  “WASTED BONES” (Animation by Logan Ford)

 

The tracks, originally composed post-Halloween 2017 with a crippled hand on a three string guitar, were intended to be sparsely orchestrated and seldom accompanied –  an acoustic testament of solemn hymnals of sorts… again, alas, here I am deep into post-production and the monster I am incubating became another ramshackle, bedroom opus akin to the 2007 release, HITHERTO THE AMINALS.  An unexpected return to the solo sonic-lust of original sample-led rhythmic sequences, experimental analog tracking and bombastic orchestration has indeed engulfed CACTUS CROWN and though this grew to be quite the project, I am happy for it’s obsessive evolution.

Slinking out of the throws of a cosmic inner shift that left me one handed and solemnly solitary in the beginning months of this year, I rekindled my love for solo production and all it throws. After the years-long conceptually ambitious collaborative effort of my band, SPARE SPELLS, in the midst of recalibration whilst inching towards the completion of last year’s conceptual epic, THE NARROWS‘, accompanying comic book (see below), the specter of Dakota Slim rose to exorcise new material, now deft and deliberate and headstrong into a new era.

While I take my time to round out CACTUS CROWN and ready it for imminent release (for sure this April), you can taste the southwest soaked cacophonous cornucopia of sonic manifestations that will riddle the album’s maddening production:

From the Ethiopian-jazz inflected haunt of CC’s opener, NIGHT THIEF,

to the sparse and live-tracked psychic ballad, WEIGHTLESS,

The Pentecostal Surf of the theme composed for  Wayward Worship’s OCCULTCAST, WESTWARD HO,

CACTUS CROWN is sure to be fine culmination of Dakota Slim’s years of experimentation in self-produced hymnals.  A journalistic document of the moon cycles between Halloween and Spring – a feverish snapshot of the end of a partnership, the fervor and beauty of a new love and the narrative of a man trying to make sense of the contradictory extremes that riddled him.

In any case, keep your hearts crossed and your eyes peeled – the tenth (?) release from my perennial sonic identity (15 years old!) is sure to usher DAKOTA SLIM back into the fold from a silent, scheming, somnambulant saunter.

 

-The one true DAKOTA SLIM-

Travis Keats Ross

the first day of Spring, 2018 

(Revelator Rosz of W†H)

CACTUS CROWN UPDATE

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▶ Dakota Slim – Night Thief

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by DEVIN W. MILLER

Here’s a brand new song from the long slumbering Slim as he continues the construction of a new e.p. (CACTUS CROWN) and progress on the comic book/record remains steady!

Please visit THE REVEL REVIVAL for all projects concerning Revel Rosz (Travis Keats Ross) henceforth!

And of course, be sure to leer at WE THE HALLOWED for major news on the art collective/ religion Slim cotton’s to.

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WE THE HALLOWED’S First Salon 6/6/14

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WE, THE HALLOWED’s FIRST SALON

Keats Ross, AKA DAKOTA SLIM, is part of a conceptual art based spiritualist movement entitled WE, THE HALLOWED.

The movement was announced to the Portland Arts Community on JUNE 6th, 2014, unannounced, by the chapter’s REVELATOR -amidst a costumed procession- pictured here.

Please visit WE, THE HALLOWED’S WEBSITE for information on becoming the “saint of you” or any information regarding the cause.

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Preview of NEW BAND

My satchel was stolen with two years worth of handwritten material across, at least, four projects I was dilligently determined to finally square away.  The Great Spider that weaves her tangled web, connecting us to validation through resolve, certainly didn’t see the fruits of my labor.  Perhaps she felt that I, after a rebirth of sorts, needed more of a cataclysmic surge to truly reinvent myself, a spark that only a dharma bum could ignite burning down his worldly possessions in one awesome flick.

The anger still haunts me, a sort of primal protection a father instinctually ignites when his offspring is attacked in front of him.   A macabre revenge lust permeates when I’m left with my thoughts, for the fate of all that work must have been nothing more than skimmed and discared into the narrows of nothing…

Those lost confessionals and documents were the only testament to finding what kept me alive through some of my most torrid times in life.  But que sera, sera.

Alas, I haven’t been able to break focus or weep over the lost work… I quickly started to trust that the Great Spider weaves a web of calculated deference, a familiar web, later discovered to be manifested by my subliminal guidance.

So I took most of the structured music and re-appropriated them with the hopes of instilling the fervor and tenacity of lust for weird.  Let this video be a testament to a conjuration of sifted ephemera from the past and exciting/revitalizing prospects of the future.  I am birthed, and earthed all over again…

This is an early rendition of a song intended for the aforementioned long labored album PRAGMAGIK – “Pray for Strays” – it, along with most of that record are being deconstructed into a few different conceptually focused projects.

This song, and most of the sequence driven material written the past couple years, have turned into this live theatrical ensemble featuring DODGE LOGIC / ELEGANT BACHELOR – Justin Shelp manning Guitar, Orchestrated Noise, Drums, Misc. Perc… hell… Anything he can grab with two fists.   I cover Vox, Baritone, Sequences, and Kick Drum + Pedal work (new appreciation for the art of tap dancing).

The full announcement regarding this new outfits identity (along with other projects), tracklist, and concept is forthcoming.

JOSH WINSOR shot this beautifully constructed montage of us.

For now this is an exceptional document, or glimpse, on the set-up thus far of our writing process of our third session performing together.

The video is a montage while the audio is a single, live take.

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