Tag Archives: Dakota Slim

New Track / PRAGMAGICK Episode

CACTUS CROWN is proving to be one bombastic little record.  I know the release date keeps pushing back –  a late JUNE release is not only perfect considering the person  the record is essentially about (nicknamed JUNE), but also seems to be the perfect culmination of this last year’s ramshackle mysticism through dour tundras and radiant orbits.
With that in mind, above’s a new song from CACTUS CROWN, “THE TETHER” – a track that perfectly sums up the haunted whimsy of the love and magick I exude for June and for Santa Muerte…  Oh yeah, the instrumental version is also the theme of my arts and occult podcast…

 AND A NEW EPISODE HAS JUST BEEN RELEASED via PRAGMAGICK.COM

The following interview with ANTHONY ALVARADO was recorded as part of “Wayward Worship” – live discussions and performances at W†H‘s Monthly Salons that would become The PRAGMAGICK Cast  recorded/produced October 2017.

There

† LISTEN HERE †

WE, the HALLOWED presents our first Wayward Worship – a live, variety talk-show held during our 4th Thursday residency at The Waypost in PDX.

SLITHER HITHER WIERDOS AND WITCHES,
This disembodied voice ringing between your ears is I, Revel Rosz and you’re listening to PRAGMAGICK, an educational program curated by Portland, Oregon’s Art-Religion WE THE HALLOWED…
This cast, as with future casts, was recorded live in front of a swarm of naysayers, ne’er-do-wells and all around rogues at the Waypost in Portland, Oregon – before Samhain and Dia Los Muertos  – when the veil was the thinnest and the wicked and the weird frolicked among the candy colored leaves, when La Nina Blanca tickled the napes of our necks with her cold, Santa Muerte breath, on October 26th, year of the witch, 2017.
 Anthony Alvarado is not only a psychonaut, podcaster and musician but also pragmatic author of the pragmatic magic manual DIY MAGIC.
Also, presenting the full 23 Minute, 23 Second WE THE HALLOWED AUDIO SIGIL 01, an experimental compilation of occult lectures and W†H musicians such as SPARE SPELLS, STRANGE CHAN and SEXY COYOTE and TUXEDO CAT– compiled and curated by Iohannes Pontes for WE THE HALLOWED.”

-Revel Rosz

Interview with:

Anthony Alvarado
Author (“DIY MAGIC”) • Podcaster of THE MAGIC HOUR • Musician
https://anthonyalvarado.net/

PLUS

The WE THE HALLOWED AUDIO SIGIL 01, an experimental compilation of occult lectures and W†H musicians such as SPARE SPELLS, STRANGE CHAN and SEXY COYOTE and TUXEDO CAT– compiled and curated by Iohannes Pontes for WE THE HALLOWED.

TRACK LISTING AND CREDITS HERE.

Download the AUDIO SIGIL at www.wethehallowed.bandcamp.com

Theme: “The Tether” by DAKOTA SLIM

FOLLOW FB:  facebook.com/dakotaslimhymns  and IG:  @dakotaslim_hymns

With Synth Twiddlin’ by the Wayward Choir, Bryan Bruner!

Hosted by Revel Keats Rosz  (REVELROSZ.COM)

E-mail us at PRAGMAGICK at gmail dot com

SUBSCRIBE TO OUR PATREON for FUTURE EPISODES AND EXTRAS / RECORDS / VIDEOS / and MORE.

FOLLOW W†H ON INSTAGRAM 

LIKE PRAGMAGICK and WE THE HALLOWED on FACEBOOK

©WE the HALLOWED 2018

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CACTUS CROWN album cover: DEVIN MILLER

Barachos y Banditas,

Dakota Slim had originally planned to release the new long-form E.P. CACTUS CROWN on Valentine’s day 2017 – alas, this was a premature ambition as we are in the rites of spring and I am not yet finished with the unexpected lil’ opus.

UPDATES AND PROMOS ON THE DS HYMNS INSTAGRAM:

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PROMO 01:  “CACTUS CROWN”

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PROMO 02  “WASTED BONES” (Animation by Logan Ford)

 

The tracks, originally composed post-Halloween 2017 with a crippled hand on a three string guitar, were intended to be sparsely orchestrated and seldom accompanied –  an acoustic testament of solemn hymnals of sorts… again, alas, here I am deep into post-production and the monster I am incubating became another ramshackle, bedroom opus akin to the 2007 release, HITHERTO THE AMINALS.  An unexpected return to the solo sonic-lust of original sample-led rhythmic sequences, experimental analog tracking and bombastic orchestration has indeed engulfed CACTUS CROWN and though this grew to be quite the project, I am happy for it’s obsessive evolution.

Slinking out of the throws of a cosmic inner shift that left me one handed and solemnly solitary in the beginning months of this year, I rekindled my love for solo production and all it throws. After the years-long conceptually ambitious collaborative effort of my band, SPARE SPELLS, in the midst of recalibration whilst inching towards the completion of last year’s conceptual epic, THE NARROWS‘, accompanying comic book (see below), the specter of Dakota Slim rose to exorcise new material, now deft and deliberate and headstrong into a new era.

While I take my time to round out CACTUS CROWN and ready it for imminent release (for sure this April), you can taste the southwest soaked cacophonous cornucopia of sonic manifestations that will riddle the album’s maddening production:

From the Ethiopian-jazz inflected haunt of CC’s opener, NIGHT THIEF,

to the sparse and live-tracked psychic ballad, WEIGHTLESS,

The Pentecostal Surf of the theme composed for  Wayward Worship’s OCCULTCAST, WESTWARD HO,

CACTUS CROWN is sure to be fine culmination of Dakota Slim’s years of experimentation in self-produced hymnals.  A journalistic document of the moon cycles between Halloween and Spring – a feverish snapshot of the end of a partnership, the fervor and beauty of a new love and the narrative of a man trying to make sense of the contradictory extremes that riddled him.

In any case, keep your hearts crossed and your eyes peeled – the tenth (?) release from my perennial sonic identity (15 years old!) is sure to usher DAKOTA SLIM back into the fold from a silent, scheming, somnambulant saunter.

 

-The one true DAKOTA SLIM-

Travis Keats Ross

the first day of Spring, 2018 

(Revelator Rosz of W†H)

CACTUS CROWN UPDATE

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▶ Dakota Slim – Night Thief

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by DEVIN W. MILLER

Here’s a brand new song from the long slumbering Slim as he continues the construction of a new e.p. (CACTUS CROWN) and progress on the comic book/record remains steady!

Please visit THE REVEL REVIVAL for all projects concerning Revel Rosz (Travis Keats Ross) henceforth!

And of course, be sure to leer at WE THE HALLOWED for major news on the art collective/ religion Slim cotton’s to.

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SPARE ∴ SPELLS “NEON/NOIR”

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The new project of Travis Keats Ross (Dakota Slim), Justin Shelp (Elegant Bachelor) and Rén Rosz (We, The Hallowed) released their debut double E.P. on Halloween 2015.  You can buy/stream SPARE SPELLS‘ “NEON/NOIR” via every major digital music site. 
Or check it out here: 

NEON / NOIR on BANDCAMP

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“REVEL” by REVELATOR ROSZ

KAMEN ROSS sketched the portrait.

KAMEN ROSS sketched the portrait.

This was my first major foray into writing, performing, producing, and distributing an E.P. in 4 days through the intense use of sigilism (as evidenced in the cover art) and culling sonically-astral “automatic” compositions from a basement meditation. What birthed? “REVEL:” the 5 song E.P. and my first release under the REVELATOR name. It totally utilized what I refer to as “PRAGMAGICK” or magick, through means of focus and execution (like practice or rehearsal) for practical means such as an honest piece of work to help ends meet – and hopefully mend.
The songs vary in style and vibe. Thing is, for every song there were hundreds of invocations and conjurations, I only chose to follow five of them.
The 4 days were damp and desolate, mixed with teeth gnawing integrity – I am ,actually, building a home studio and  an editing bay in the “terror-firma” known as our basement. Through the dreaded webs and rat rollicking I managed to detune and calibrate THIS piece of art:

It may or may not help boost my forever – ramshackle ways, but I gotta girl to impress. A love. I got friends  I mean to never distress. I got love. More so now, that I had to be productive in pragmatically producing an instantaneous artifact.  An artifact that may somehow sell to those who care to hear my 4 day triumph over writing, production, performing, and editing but also my madness and synapse lapsed moon shivers and shakes recorded on tape.

The five songs adequately represent my thought process if a millisecond were represented as exactly 20 minutes in song.
Whie SPARE∆SPELLS continues to perform visually and musically ambitious sets while rounding out a collection of demos (for a very conceptual plan) and DAKOTA SLIM stays quiet for just a little longer – I figured my role in WE, THE HALLOWED and in the soon to be posted show, WAYWARD WORSHIP, as REVELATOR (more a lavishing lingerer than a revealer) would enact the responsibility of measuring my most obscure work.
It’s getting frosty here in the Oregon perma-dusk. I manifested through magikal means a product that might help keep me warm. And keep that love confident. And friends not stressed.

From the Basement,
REV. KEATS ROSZ

UPDATED C.V. AND PERSONAL SITE HERE:

REVROSZ.me

ALSO, UPDATED C.V. AND PERSONAL SITE.

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SPARE ∆ SPELLS live debut at HABESHA (PDX) HALLOWEEN 2014

“SALVO (SIEMPRE SALVO)”

“NAYSAYER”

and

“PRAYTELLER”

Performed at Habesha Lounge in Portland, OR 10/31/14

Our set was sequenced with my re-edit of the 1945 film “DETOUR” which is spliced in amidst the performance footage.

It was shot and edited by JOSH WINSOR.

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SPARE∆SPELLS Debut HALLOWEEN 2014

My new project, SPARE ∆ SPELLS, is debuting at an epic hootenanny we’ve arduously concocted on Halloween Night (2014) here in PORTLAND, OREGON.  Here’s a “promo” with a snippet of “live” audio as well as a preview of my set-specific edit of the 1945 Film-Noir, “DETOUR,” that will provide the visuals for our unveiling…

and Here’s a flyer for the FREE debut designed by yours truly…

HABESHA103114UPdate

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“HITHERTO THE aMiNals” —– REDUX and DIGITAL RE-RELEASE!

 

 

(c) Dakota Slim and Ryan W. Brewer 2008

(c) Dakota Slim and Ryan W. Brewer 2008

Finally, the final album from DAKOTA SLIM to be re-released, “Hitherto The aMiNals” is now available in all major online retailers such as iTUNES, SPOTIFY, AMAZON, GOOGLE PLAY, ETC. This particular release is special due to a different cover from Ryan Brewer and new track listing that separates it from the original release on Bladen County Records
This means that the 6 records which document my artistic growth and output throughout the last decade are now widely available for the first time. This process has had me relive the amazing artistic life I have been gifted thus far, and instilled an incredible amount of excitement for what I have planned for the next decade. I’M ONLY GETTING STARTED.  KEEP YOUR HEARTS CROSSED AND YOUR EYES PEELED FOR THE NEXT CHAPTER!

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Preview of NEW BAND

My satchel was stolen with two years worth of handwritten material across, at least, four projects I was dilligently determined to finally square away.  The Great Spider that weaves her tangled web, connecting us to validation through resolve, certainly didn’t see the fruits of my labor.  Perhaps she felt that I, after a rebirth of sorts, needed more of a cataclysmic surge to truly reinvent myself, a spark that only a dharma bum could ignite burning down his worldly possessions in one awesome flick.

The anger still haunts me, a sort of primal protection a father instinctually ignites when his offspring is attacked in front of him.   A macabre revenge lust permeates when I’m left with my thoughts, for the fate of all that work must have been nothing more than skimmed and discared into the narrows of nothing…

Those lost confessionals and documents were the only testament to finding what kept me alive through some of my most torrid times in life.  But que sera, sera.

Alas, I haven’t been able to break focus or weep over the lost work… I quickly started to trust that the Great Spider weaves a web of calculated deference, a familiar web, later discovered to be manifested by my subliminal guidance.

So I took most of the structured music and re-appropriated them with the hopes of instilling the fervor and tenacity of lust for weird.  Let this video be a testament to a conjuration of sifted ephemera from the past and exciting/revitalizing prospects of the future.  I am birthed, and earthed all over again…

This is an early rendition of a song intended for the aforementioned long labored album PRAGMAGIK – “Pray for Strays” – it, along with most of that record are being deconstructed into a few different conceptually focused projects.

This song, and most of the sequence driven material written the past couple years, have turned into this live theatrical ensemble featuring DODGE LOGIC / ELEGANT BACHELOR – Justin Shelp manning Guitar, Orchestrated Noise, Drums, Misc. Perc… hell… Anything he can grab with two fists.   I cover Vox, Baritone, Sequences, and Kick Drum + Pedal work (new appreciation for the art of tap dancing).

The full announcement regarding this new outfits identity (along with other projects), tracklist, and concept is forthcoming.

JOSH WINSOR shot this beautifully constructed montage of us.

For now this is an exceptional document, or glimpse, on the set-up thus far of our writing process of our third session performing together.

The video is a montage while the audio is a single, live take.

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“ANONYM” – THE HYMNS OF DAKOTA SLIM (2007)

While compiling “GOD GONNA GET ME RIGHT” I took the opportunity to make “ANONYM” available for the first time in years.  These are still played live and constants in the DAKOTA SLIM MYTHOS for it was the first true “DAKOTA SLIM” release.

DETAILS:

All Songs Written by REV.ROSS

except 1 + 5 by REV.ROSS and Erick Lenger

REVELATOR Keats Ross: Vox, Guitar, Blow Organ, Beat Manipulation, Bass, Drums

Dominique Reveneau: Bass, Stand-up Bass

Erick Lenger: Lead Guitar

Ray Reeves: Drums (#2)

Engineered by Dominique Reveneau

Release Date: 02/23/06
©Dakota Slim Hymns
KADABRA RECORDS

 

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